1. Sparklehorse Bird Machine
Thirteen years posthumous, a final statement curated and patched together with obvious love and respect for the quirky genius of Mark Linkous. Miraculous it exists at all; wholly miraculous it's so good.
1. Sparklehorse Bird Machine
1. The Jazz Butcher The Highest In The Land
Like Bowie's "Blackstar" this is an intimate last release by an artist ruminating on his impending mortality. The main difference being that Pat Fish makes you sing along as he breaks your heart.
2. Fuzzbubble Cult Stars From Mars
As far as I can tell, it took 20 years for the band to follow their debut and, incredibly, this infectious collection of Lennon-esque vocals & Cheap Trickian power chords may have been worth the wait.
3. Sweet Things Brown LeatherOpening up their Stonesy sound with ballads, slide guitar, and a hint of country/southern rock only makes it more Stonesy - but this is the mean cold-blooded late 60s Stones, so just know that any stray yayas in yer system are about to get out.
He's been a hard luck legend of the Canadian underground for 40 years now, and while it's something of a surprise this album exists at all I can't say it's any surprise that it's so effin' excellent.
2. The Courettes Back in Mono
The echoed drums, baritone sax deep in the mix & girl group melodies wed Spector's Wall of Sound with the raggedy looseness of 60s garage punk. A triumph all around.
3. Hayley Mary The Drip
There's a layer of melancholy lying just underneath the driving guitar buzz that lends these highly melodic tunes an impressive staying power. Technically only an EP, but match it with the previous year's "The Piss, The Perfume" and you've got an album for the ages.
An
album that not only screams New York, but also offers - in its barrage
of hard rock hooks - testament to the reasons why Conte was first choice
as Johnny Thunders' fill-in in the reformed New York Dolls.
Precociously talented at such a young age, Jelani Aryeh grabs pieces from pop, soul, R&B, and indie and puts them together in refreshingly original ways.
There are layers of social, political, and lyrical reasons to appreciate this album, but none of that would matter much if the music (a quantum leap forward for both ska-punk and pop-punk) didn't pack such a punch.
While Amy Taylor still doesn't exactly sing, she chants and rants with a charisma that sits perfectly amid the band's ACDC-meets-Radio Birdman attack. And while it's understandable she gets tagged as a female Iggy Pop, it's also evident that she's powered by a more righteous anger than any male counterpart might muster.
Every now and then I'll find a small miracle - in this case, garage punk with an infectious 50s sock hop sensibility in its melodic construction - that forces me to champion the band as an underdog. Will we ever hear from them again? Who knows. In the meantime, we've got "Wannabe."
A declarative reminder this kind of music is far too scarce. Not metal, not punk, not indie or alternative - no need for a hyphenate at all - just melodic, aggressive, proudly electric rock that refuses to leave my player.
10. Reigning Sound A Little More Time With Reigning Sound
Reaches back to their first 2 albums (the pedal steel of "Break Up Break Down" and the garage punk R&B of "Time Bomb High School") and creates what might be their crowning achievement.
The Un-Herd Music Top 50 of 2020
1. Low Cut Connie Private LivesAdam
Weiner's hook-heavy mix of soul, R&B, rock & roll, &
basically everything else under the sun is exactly the empathetic, good
vibin' music the world needs right now - just hope we're not all too far
gone to hear.
2. Dangereens Tough Luck
Montreal band with reckless disregard for speed limits, a pronounced fondness for old 'Mats reckids, and a batch of hook-ridden tunes w/ pounding piano + sax riding shotgun.
One of the most original bands from the 90s indie boom returns with their inimitable mix of 60s pop, garage rock, sitars, flutes, electronics and, I can only imagine, something borrowed from a far better future.
If
the Ramones had the harmonies of the Beach Boys or the Beach Boys had
the drive of the Ramones... Such perfect summer music that it'll make
you forget it isn't summer.
5. Mondo Cozmo New Medicine
Backed
by members of the Black Rebel Motorcycle Club, Josh Ostrander hooks
into snatches of Lou Reed, hip hop, Jesus and Mary Chain, and
singer/songwriter pop and still manages to knit it all into a cohesive
whole.
6. Rookie Rookie
While
so much modern power pop rests in the hands of those who view "The Long
and Winding Road" as the epitome of rock & roll, Rookie allows a
stomping beat and a few power chords to ride shotgun with the expected
Beatles-esque hooks.
7. Nicole Atkins Italian Ice
Recorded at Muscle Shoals and backed by members of that same hallowed session band, this album sprawls comfortably into a relaxed soul groove. Also boasts help from Britt Daniel, My Morning Jacket, and some Bad Seeds... none of who come close to eclipsing Atkins' powerful voice.
8. Foxy Shazam Burn
The
return of Foxy Shazam was one of the few "good news" stories of this
disastrous year, and even if it might not match the heights of The Church of Rock & Roll, it definitely gets them back on track to world domination. Give 'em time.
9. Daniel Romano How Ill Thy World Is Ordered
Romano
released 10 albums in the year 2020, ranging in sound from his more
typical country to indie rock to hardcore punk to a welcome re-imagining
of an entire Dylan album, and what makes his feat of ambition somewhat
miraculous is the sheer quality of songwriting. This one (and Dandelion) are perhaps the most eclectic of the bunch.
10. Bette Smith The Good, The Bad, and the Bette
With
some help from Luther Dickinson and the Drive-by Truckers, Bette Smith
dives into southern soul and traditional R&B while embracing the
distortion and power of punk.