Daniel Tashian is perhaps better known for his work with the Silver Seas, whose Chateau Revenge made my top 20 last year. Like that album, this solo joint is sleek modern pop, although considerably more mellow and self-reflective. The level of songcraft on display here is extremely high, with each song building to its chorus in a way that's always effective yet never obvious. A few reviews have deemed this '70s AM pop, which is accurate enough as long as you filter out the novelty tunes and unctuous, pandering pap from whichever '70s AM pop universe that description might suggest. Personally, I hope Tashian isn't finished with the Silver Seas, because I miss the uptempo energy the band brings to his compositions, but for what this album is (which seems to be some kind of unofficial companion piece to the movie of the same name) it works better than anything Christopher Cross might have imagined.